ONE THOUSAND CRANES AT ARTSPRING FEBRUARY 13 AND 14 »
By Genevieve on Jan 31, 2012 in Local Stuff | 0 Comments
By Genevieve on Jan 31, 2012 in Local Stuff | 0 Comments
By janslakov on Jan 22, 2012 in Local Stuff | 0 Comments
Schedule: 4:30 pm “Let’s Get Real about the Climate” with Emma Pullman (Desmogblog, Leadnow) & Jan Slakov (Citizens Climate Lobby, VOW peace)/5:30 pm pot luck/ 6:30 pm “Moving Past the Harper Government” round table discussion: Preventing our government from being hijacked by big oil & Republican-style politicking. All Saints Anglican Church, Ganges, 537-5251
By Genevieve on Jan 17, 2012 in Local Stuff | 0 Comments
Join the Salt Spring Chamber Orchestra, under the direction of Jim Stubbs, THIS WEEKEND —- Saturday evening OR Sunday afternoon for several hours of magnificent music that will stir your soul and fill your heart with joy.
Hearing Matthew Stubbs play Schumann’s piano concerto is worth the price of a ticket, alone!
Strauss [...]
By Flakes on Jan 15, 2012 in Local Stuff | 0 Comments
Shake off those winter humdrums and DANCE to the music of:
Kevin Vine, Bruce Grey, John Herbert, Neil Kerrigan
Affectionately known as “The Fabulous Flakes” their music will have you rocking to Funk, Pop, Blues, and lots of good old ROCK AND ROLL!
WHERE: FULFORD HALL
WHY: FUNdraiser for SaltSpring Therapeutic Riding.
WHAT: HORSEY (English, Western, Cowboy, Leather, Denim, Plaid……)
No live auction, [...]
By Genevieve on Jan 11, 2012 in Local Stuff | 0 Comments
Come dine in the restaurant at the Harbour House Hotel While Paul Mowbray entertains. The music starts at 6pm.
Paul Mowbray is a prolific and gifted songwriter, teacher, composer, and guitarist. After growing up, teaching, and studying music in Saskatoon, Paul moved to the west coast of BC.
By Genevieve on Jan 11, 2012 in Local Stuff | 0 Comments
Encore Presentation – Glass’s Satyagraha – The Met’s visually extravagant production is back for an encore engagement. Richard Croft (right) once again is Gandhi in Philip Glass’s unforgettable opera, which the Washington Post calls “a profound and beautiful work of theater.”